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Mark Azm

Media: Audio, Film, Other, Video; Visual-Sonic Bass Music Therapy

Known throughout Southern California for devotion to the fine broken beat bass music arts. Favorite styles are breaks, drum & bass, dubstep and jungle.

Mary Cacciapaglia

Media: Video; Visual Arts: Other, Painting, Photography, Sculpture; alcohol ink painting, pyrography

Mary Cacciapaglia is a representational and abstract painter, pyrographer, photographer, sculptor and videographer who strives to find and see what many may miss in everyday life and express what she finds in her art. Please visit SNG Studio Ventura, California. Gallery ∞ shows art of Mary Cacciapaglia, Steve Neill other local artists. All art here are for your viewing pleasure and available for purchase.

Joe Cardella

Literature: Poetry; Media: Other; Visual Arts: Illustration, Other, Photography, Printmaking, Sculpture

Founder, Publisher & Editor of ARTLIFE LIMITED EDITIONS, 1981-2006. Distributed 276 consecutive monthly editions of Original Artworks & Poetry throughout the U.S., Europe & Japan. Personally handled 2.5 MILLION pages throughout every step of this process including personal editions each month. "Monthly from 1981-2006, ARTLIFE is the Longest Continually Published Artists' Periodical of the Twentieth Century." www.art-life.com, ARTLIFE MUSEUM on FB, MrArtlife1 on UTube for many videos & interviews re History, Personal Collection, Archive, Studio Tour & Events. Degree in Design, Experimental Studios & Advertising from Syracuse University. Graduate of U.S. Naval Communications School, Great Lakes, Illinois. Global Communications Specialist 1967. Design, Graphics, Sculpture, Multi-Media, Research & Product Development, Performance & Conceptual Art. Extensive Museum Exhibition experience from coast to coast. Publisher Emeritus, ARTLIFE LIMITED EDITIONS

Julieanne Case

Literature: Non-Fiction; Visual Arts: Other, Painting, Photography

For many years, cooking and dancing were my means of creative expressions. At a very young age I would lose countless hours painting, using those paint by numbers kits most of the time and I loved it. Family circumstances changed and the painting stopped. I begged my mother to teach me how to cook at the ripe old age of 11. Luckily for many, including myself, she acquiesced and taught me the basics. Although a math major in college, I loved taking classes studying art in various cultures. Western Civilizations was my favorite class. After graduating college, I moved to California. Sometime in my mid 20s, I enrolled in a figure drawing class and found I was quite adept at capturing the essence of the person being drawn. Once again the art stopped. My knowledge of cooking grew and my natural talent for cooking was fed by experimentation and exploration. My dining room table was my palette for many years where I created a visual painting using the table setting and the food to nourish the person and their soul through sight, smells and tastes. I am also a life-long photographer. Things changed again and life brought me back to painting. I learned that I have a natural sense of color, I love mixing my own colors too. I paint in oils. I paint from photos I’ve taken and sometimes I free form, sometimes creating representational abstract. I love large big flowers and many say my paintings remind them of Georgia O’Keefe unplugged. I have studied with Marcia Cummings, a sculptor and painter, with Glen Orbik, a well-known American illustrator, at the California Art Institute, with Bob Moskowitz, Head of the Art Department at Ventura College and an accomplished artist and with Jill Sattler at Santa Barbara City College, a well known abstract painter. I have been commissioned to do oil paintings of dogs and an abstract. I also completed a triptych of digital flower paintings using healing frequencies while creating them. I am doing more abstracts now, studying with Jill Sattler, growing, learning and expanding. My painting is changing and growing. Studying abstracts has really opened me up more. Many of my paintings have an unplanned space theme. They are filled with feelings and are full of light, love and joy. Many are filled with healing frequencies as well. In the last few years, I’ve begun writing and have a blog. It has become another creative outlet for me as well. I would love to heal the world with my paintings and my photos. My dream is that this comes through in my work. Enjoy! Life is to be savored either through taste, feel, smell, dance,visual or sound! Take your pick. I love them all! How about you? Exhibits: Ventura Art Walk August 2003 Ventura Art Walk November 2003 Ventura Art Walk April 2004 Ventura Art Walk August 2004 Ventura Art Walk November 20042004 Ventura County Fair Ventura Art Walk April 2005 Ventura Art Walk August 2005 Ventura Art Walk November 2005 Ventura Art Walk April 2006 Ventura Art Walk August 2007 Ventura Art Walk Solo November 2007 Digital Diversity Show Juried Show October 2007 Buenaventura Art Gallery Juried Show November 2008 Ventura Art Walk April 2008 Buenaventura Art Gallery Juried Show April 2008 Harbor Village Gallery Juried Show January 2009 Artists Union Gallery Juried Show March 2009 CMH Exhibit March 2009 CMH Exhibit June 2009 CMH Exhibit September 2009 Harbor Village Gallery Juried Show July 2009 CMH Exhibit December 2009 Harbor Village Gallery Juried Show January 2010 Buenaventura Gallery Juried Show February 2010 CMH Exhibit March 2010 CMH Exhibit June 2010 Ventura Arts Council Juried Show May 2012 Ventura Comm. College Juried Annual Student Awards Show 2012 Award of Merit in Painting Ventura County Fair 2012 - Honorable Mention from the Fair Board Gallery 28 Exhibit December 2012 WAV Size Matters Show Feb 2013 Gallery 28 Collaboration Show Feb 2013 Gallery 28 Paintings of California Show Mar 2013 VCAC Juried Show March 2013 Gallery 28 Collaboration Show April 2013 VCAC Juried Show “Reflections” April 2013 Ventura Community College Juried Annual Student Awards Show 2013 Gallery 28 Collaboration Show June 2013 See|Exhibition Space , Long Island City, NY July-September Show 2013 VCAC Juried Show “Collaborations” August-October 2013, Honorable Mention Gallery 28 Final Show August-October 2013 VCAC Juried Shows: “Anything Goes” and “Digital Works” May 2014 VCAC Juried Show: “Patterns” July-August 2014, Honorable Mention See|Exhibition Space, New York Times Square, July 24, 2014 Casa Gallery Juried Show in Santa Barbara: “Time” August 2014 VCAC Juried Show: Bigger Is Better Sept 2014 Casa Gallery Juried Show in Santa Barbara: “Returns” September 2014 Casa Gallery Juried Show in Santa Barbara: “Vertical” November 2014

michele chapin

Visual Arts: Other, Sculpture

About the Artist: Michele Chapin has been a working California artist for the past 30 years, exhibiting and receiving countless awards for her sculptures and contributions to the community where she has lived. She attended the University of California in Santa Cruz studying drawing, printmaking, jewelry, sculpting in bronze, clay and metal, art history and psychology. As a founding member of the Santa Cruz Art Center, she had the opportunity to work with several professional artists working in a variety of mediums, and it was there, she carved her first stone. In 1987, Michele relocated to Ventura and with the purchase of a minimal amount of tools, began teaching herself to carve. Many of her sculptures are created from stones that she has quarried from local deserts in California, as well as purchased from other states and countries. Desert Flower, a sculpture created during this time, was one of the first pieces purchased for the Ventura Municipal Art Collection on permanent display at City Hall. Several of her first major projects, collaborating with Master Gardner Richard Sanders, were creating sculpture gardens for the Ventura County Symphony Design House. Her sculptures included stone benches, and fountains that incorporated carved hydroplaning marble spheres. From these projects she was commissioned to create and install a monumental granite sphere fountain by U.S. Sales Corporation in Moorpark, California. These fountains were the first of their kind to be created in the United States. In 2009, Mayor Christy Weir awarded her with the Mayor’s Arts award for her achievements and contributions. In 2011 she received an Art Star Award from the Ventura County Arts Council for her achievements as a sculptor, and outreach in the community. In July 2010 she was featured with a 3-month solo exhibition, at the grand reopening of the Ventura County Museum. The Museum showcased 14 of her stone sculptures, with major works on loan from several private collections. In 2011 her sculpture Divine Balance was purchased by the Ventura County Museum for their permanent collection. In 2013 Michele collaborated with artist Susan Petty producing a 3-month exhibit “Old Hands New Works” where she exhibited a time capsule of sculptures including her first carving to present day. In April 2014 Michele had a Solo Exhibition - “Chasing Beauty” at Minan Gallery in Los Angeles of new works. This year’s body of sculptures are created from the inspiration of images captured daily with an Iphone 5 camera. At present, Michele works as a community arts activist, teacher and stone sculptor creating public and private commissions. Her studio and gallery are open during First Fridays Ventura and Westside Ventura Artwalks when she and partner, Guy Wilson, host monthly free community exhibitions showcasing Michele’s sculptures and several artists and musicians of all ages. As a community arts activist, one of her goals is to bring art to the people and people to the art, by putting art back into the community through classes and exhibitions in her open air Stoneworks Studio, and garden.

Gabriel Chavez

Drawing/Colored Pencil

My name is Gabriel Chavez, and I currently reside in Ventura, California. My passion has always been in the arts, specifically in drawing and painting. I have originally developed my art through portraiture, and while in college, I utilized colored pencil to make portraits that were photo-based. I continued this and expanded into oil painting, driven by the techniques of the medium and its concepts. A more recent inspiration took place, in which I began to re-access art altogether. After spending a few years diving into metaphysics, I reinformed my paintings with inner vision. Now my primary subjects are abstract, and I focus on the representation of inner reality. I use the traditions of sacred geometry and biomorphic forms which relate to Nature and to the Cosmos at large. Chiaroscuro is also a dominating force in my paintings. Currently, I am working on a new series of abstract paintings that relate to the intimate processes of the Earth and of Life.

Pete Ippel

Crafts: Fiber Art; Dance: Other; Folk Art: Other; Media: Audio, Other, Video; Visual Arts: Other, Painting, Photography, Printmaking, Sculpture

I make art and share ideas by taking the question marks in my life and bending them into exclamation points. I employ an iterative process honed by experience in research, athletics, and art to present complex ideas in compelling ways.For over a decade I have explored and combined traditional art materials with digital techniques demonstrating creative fluency. By moving with ease and grace through a variety of media, I focus on communicating ideas and I gain knowledge in the process.I work intuitively and iteratively when creating art and often apply scientific methodology to my art practice with the rigor of a seasoned athlete.By observing human behavior, asking generative questions, and analyzing information, I experience daily how a disciplined process leads to comprehension of complex data and ideas. I use my artistic sensibility to present my findings in unique and compelling ways.I appreciate the interdisciplinary nature of the artist's life. I aspire to travel, to teach, and to create while extending my exhibition record. Being nourished creatively while partaking in a challenging path is a delight, and I particularly relish learning along the way.Art is the most practical, essential, and exciting field of work in the world today, and I look forward to sharing it with you.PETE IPPELBorn: 1979, Oak Park, ILLives and works in Ventura, CAemail: pete@hypermodern.netweb: http://peteippel.comblog: http://hypermodern.netEDUCATIONSAN FRANCISCO ART INSTITUTE, 2002-2004M.F.A., New Genres, 2004Critique seminars: Tony Labat, Paul Kos, Tom Marioni, Trisha Donnelly. Coursework: art theory and history, urban studies, digital interventionCORNELL UNIVERSITY, 1997-2002B.F.A., Combined Media (Photography / Digital Art)Advisor: Marcia LyonsCoursework: Media Arts, Art History, digital music, themed entertainment, architecture, electronic imaging, art practice in traditional media. Thesis exhibition: Priorities: Installation, Audition, and DigitaliaB.A., Psychology (perception, minor concentration: cognitive science)Advisor: Michael SpiveyCoursework: visual, auditory, and tactile perception, computer graphics and animation, visual communication, human computer interaction, sensory systems, independent researchADDITIONAL STUDIESCITY COLLEGE SAN FRANCISCO, 2005-2007Advanced classes in conversational Spanish, culture, and civilizationLANGUAGESNative English, fluent Spanish, basic ItalianSOLO EXHIBITIONSCALIFORNIA DEPARTMENT OF REHABILITATION2013, 50th year Anniversary Celebration, Oxnard, California, USASTONEWORKS STUDIOS, Ventura, California, USA2010, Pete Ippel Art ShowICTHUS GALLERY, San Francisco, California, USA2008, The Fantastic Solution to Global Warming and other ConundrumsICTHUS GALLERY, San Francisco, California, USA2006, Metaphors Be With YouICTHUS GALLERY, San Francisco, California, USA2006, Hypermodern Art ShowEXPERIMENTAL GALLERY, Cornell University, Ithaca, New York, USA2002, Priorities: Installation, Audition, and DigitaliaGROUP EXHIBITIONSWORKING ARTISTS VENTURA, Ventura, California2014, ArtWalk - Art and Play, collaboration with Mobile Arts PlatformSYLVIA WHITE GALLERY, Ventura, California2014, 5x5x5 Performance Art Series Curated by John WhiteSOMARTS CULTURAL CENTER, San Francisco California2014, 100 Performances for the HolePERFORMANCE STUDIES INTERNATIONAL, Stanford University2013, Now Then: Conference 19 – 100 Performances for the Hole, ReduxMUSEUM OF VENTURA COUNTY, Ventura, California2013, Day of the Dead Celebration – Dia de los MuertosSYLVIA WHITE GALLERY, Ventura, California2013, 5x5x5 Performance Art Series Curated by John WhiteVENTURA COUNTY GOVERNMENT CENTER, Ventura, California2012, The Installation Show – Ventura County Arts CouncilTORRANCE ART MUSEUM, Torrance, California2012, The Subterraneans - The Artists Behind LA's Artist-Run SpacesSYLVIA WHITE GALLERY, Ventura, California2012, 5x5x5 Performance Art Series Curated by John WhitePOINT .B STUDIO, Port Orford, Oregon2011, Art In The Information AgeSOMARTS CULTURAL CENTER, San Francisco California2011, Third Strike: 100 Performances for the HoleTOOL ROOM GALLERY, Ventura, California2011, WAV Artists at the Tool Room at Bell Arts FactorySYLVIA WHITE GALLERY, Ventura, California2011, Be a SaintMUSEUM OF VENTURA COUNTY, Ventura, California2010, Day of the Dead Celebration – Dia de los MuertosVENTURA COUNTY ARTS COUNCIL, Ventura, California2010, Whimsy & DelightSOMARTS CULTURAL CENTER, San Francisco California2010, 100 Performances for the Hole – Take twoART HOUSE CO-OP, Brooklyn, New York2009, The Sketchbook ProjectRADICAL PRACTICES, San Francisco, California2009, The Seduction of Duchamp Live AuctionSHARE FESTIVAL, Turin, Italy2009, Market ForcesGARAGE BIENNALE, San Francisco, California, USA2008, Weather ReconnaissanceGARAGE BIENNALE, San Francisco, California, USA2008, 100 Performances for the HolePACIFIC SCHOOL OF RELIGION, Berkeley, California, USA2005, Art and SpiritualityGARAGE BIENNALE, San Francisco, California, USA2004, Party for BenevolenceANTI – CONTEMPORARY ART FESTIVAL, Kuopio, Finland2004, Yuk Video ScreeningNEW LANGTON ARTS, San Francisco, California, USA2004, The ‘How To’ IntensiveFORT MASON CENTER, San Francisco, California, USA2004, San Francisco Art Institute MFA graduate showPACE DIGITAL GALLERY, New York, NY, 20042004, e Bay--Buy or Sell or BuyYERBA BUENA CENTER FOR THE ARTS, San Francisco, California, USA2004, PlayshopCELL SPACE, San Francisco, California, USA2003, San Francisco Art Institute Print Show,SAN FRANCISCO BUREAU OF URBAN SECRETS, San Francisco, California, USA2003, Creative CityBOOM TECHNOLOGY FAIR, Cornell University, Ithaca New York, USA2002, Sound Thinking: computer as creative audio toolBOOM TECHNOLOGY FAIR, Cornell University, Ithaca New York, USA2001, Fine Art Applications of 3D InternetTEACHING POSITIONSVENTURA UNIFIED SCHOOL DISTRICT, Ventura, CaliforniaSubstitute teacher, Fall 2014VITA ART CENTER, Ventura, CaliforniaArt instructor, spring 2012SAN FRANCISCO ART INSTITUTE, San Francisco, CaliforniaVisiting faculty, Contemporary Practice: Making and Meaning, fall 2010UNIVERSITY OF CALIFORNIA BERKELEY, Berkeley, CaliforniaAcademic Talent Development Program, summer 2008, 2009MARIN SCHOOL OF ART AND TECHNOLOGY, Novato, CaliforniaArt instructor, fall 2004SAN FRANCISCO ART INSTITUTE, San Francisco, CaliforniaNASA Space Practicum teaching assistant, spring 2004Video Editing teaching assistant, spring 2004CORNELL UNIVERSITY, Ithaca, New YorkCornell Adult University, instructor, website design, summer 2002PROFESSIONAL ACTIVITIESWORKING ARTISTS VENTURA ARTIST COUNCILChair, 2014COLLEGE ART ASSOCIATION (CAA)Member 2009-presentAMERICAN INSTITUTE of GRAPHIC ARTS (AIGA)Member 2012-presentFIRST FRIDAYS VENTURARepresentative, Working Artists Ventura 2010-presentLEONARDO JOURNALLeonardo Art Science Evening Rendezvous 2008-2010Manuscript Intern 2004-2005SAN FRANCISCO ART INSTITUTEBoard of Trustees 2003-2004Artech 2003-2004Graduate Council 2002-2003PUBLICATIONSShare Festival. Market Forces. Exhibition catalog, Turin, 2009.Ippel, Peter. “In the Tradition of Apprentice and Master.” Proceedings of The Hawaii International Conference on Social Sciences, ISSN #: 1539-7300, pages 1094-1100. 2005.Pace Digital Gallery. e Bay - Buy or Sell or Buy. Exhibition catalog, New York, 2004.San Francisco Art Institute. Masters of Fine Arts Exhibition. Exhibition catalog, San Francisco, 2004.LECTURES AND PRESENTATIONSBRAIN INJURY CENTER OF VENTURA COUNTYThe Art Of Recovery, 2014CALIFORNIA DEPARTMENT OF REHABILITIONThe Art Of Recovery, 2013PETE IPPEL ART STUDIOHow to Maintain Boundaries, Artistic and Otherwise 2013LIBRE GRAPHICS MEETINGTransitional Work Flow For Artists Making The Libre Graphics Leap, 2012LINUXWOCHEN Osterreich-TourPanelist Talk on Art, Free Culture, Open Hardware, and the Politics of Sharing, 2012LINUXWOCHEN Osterreich-TourIntroduction to Qi Hardware Milkymist1 Video Synthesizer, 2012WHAT IS ART? LIVE!Pete Ippel and Allan deSouza interviewed by Tim Sullivan and Chris Corrente, 2011KRON 4, SAN FRANCISCOPete Ippel "Copper Mist" interview by Henry Tenenbaum, 2011LIBRE GRAPHICS MEETINGOpen Mind, Literally: Teaching Free Culture As A Life Goal, Brain Surgery, and a Networked Path to Recovery, 2011S.A.V.E. THIRD THURSDAYOpen Fashion, Fear, Education, and Leverage, September, 2010Maslow's Hierarchy Updated, August, 2010Critical Discourse, Networks, and Hebbian Learning, July, 2010STONE WORKS STUDIOSThe New Folk Tradition: Aesthetic and Community Resonance Between Open Source Graphics and Fiber Arts, 2010LIBRE GRAPHICS MEETINGThe New Folk Tradition: Aesthetic and Community Resonance Between Open Source Graphics and Fiber Arts, 2010CORNELL ALUMNI ASSOCIATION OF NORTHERN CALIFORNIAExhibition Tour, Amish Abstractions: Quilts From the Collection of Faith and Stephen Brown, 2010UNIVERSITY OF ILLINOIS ALUMNI ASSOCIATIONDigital Photography, compositional guidelines, and critique, 2010A PLACE OF PEACE, Monday Lecture SeriesAsian brush technique, 2010CORNELL ALUMNI ASSOCIATION OF NORTHERN CALIFORNIADigital Photography, compositional guidelines, and critique, 2009HAWAII INTERNATIONAL CONFERENCE ON SOCIAL SCIENCESIn the Tradition of Apprentice and Master, 2005STRETCHER.ORG GREEN ROOM, Mediation on Networks, 2004SAN FRANCISCO ART INSTITUTE, Alternative Lecture SeriesPsychology, Cognition and their Relationship to Art, 2004SAN FRANCISCO ART INSTITUTE, Alternative Lecture SeriesA General Theory of Love, 2003BITS ON OUR MIND (Boom) Technology Fair, Cornell University,Sound Thinking: computer as creative audio tool, 2002BITS ON OUR MIND (Boom) Technology Fair, Cornell University,Fine Art Applications of 3D Internet, 2001CORNELL ART DEPARTMENT, lecture and tutorial, electronic imaging in art, 2001INDUSTRY EXPERIENCEFABRICATORZ, San Francisco, CaliforniaDeveloper, 2012-presentPETE IPPEL, Ventura, CaliforniaIndependent Creative Contractor, 1999-presentSAN FRANCISCO BALLET, San Francisco, CaliforniaResidence Manager, 2003-2009UNIVERSITY HIGH SCHOOL, San Francisco, CaliforniaAssistant Track and Field / Basketball coach 2005-2009YMCA, PRESIDIO BRANCH, San Francisco, CaliforniaWellness Coach, Group Exercise Instructor, 2005-2007UNIVERSITY PHOTOGRAPHY, Ithaca, New YorkDarkroom Assistant, Photographer, summer 2002SIGNAL INTERACTIVE, Chicago, IllinoisProduction Artist Intern, summer 2000MOTOROLA, INC., Arlington Heights, IllinoisWeb Design Intern, summer 1999PALEONTOLOGICAL RESEARCH INSTITUTION, Ithaca, New YorkAssistant to the Director of Collections, 1997-1999HONORSCITY OF VENTURA, CALIFORNIAMayor's Arts Award - Emerging Artist, 2014WORKING ARTISTS VENTURASelected Artist, 2009SAN FRANCISCO ART INSTITUTEStudent Leadership Award, 2004CORNELL UNIVERSITYDean’s list, spring 2001, spring 2002Edith and Walter King Stone Memorial Prize for Promise in Art, 2001National Dean’s List 1998-2001ATHLETIC ACHIEVEMENTSVarsity track and field, Cornell University 1997-2001Captain, school record holder, high jump 2.15m (7’ 1/2”) 2001State Games of America Champion, high jump 1999, 2001, 2003BIBLIOGRAPHYLindell, Karen. "The art of coping with 9/11: After 9/11, local residents channeled their mixed-up emotions into paintings, songs and sculpture". Ventura County Star. 09/09/11. http://www.vcstar.com/news/2011/sep/09/the-art-of-coping/.D'Amore, Nicole. Artistic Touch: “Artist Communicates Ideas Through Conceptual Pieces”. Ventura County Star. 11/16/10 http://www.vcstar.com/news/2010/nov/16/artist-communicates-ideas-through-conceptual/.Pompey, Tim. “WAV Artist Inverviews: Pete Ippel”. Ventura Breeze, Vol. 4, No. 2. 11/03/10 http://www.venturabreeze.com/volume4.html.Navaja, Pedro. “Pete Ippel Moves Beyond the Modern”. The Life and Times of Pedro Navaja. 11/02/10http://pedronavaja.wordpress.com/2010/11/02/pete-ippel-moves-beyond-the-modern/.Santos, Dorothy. “Inside the Artist's Studio With Pete Ippel”.Extero/InteroCeptive. 09/30/10http://dorothysantos.wordpress.com/2010/09/30/inside-the-artist%E2%80%99s-studio-with-pete-ippel/.Pizzicarola, Elano. “WAV Artist – Pete Ippel”. Society 805. 08/16/10http://society805.com/index.php?option=com_k2&view=item&id=59.Jennings, Julie. "Pete Ippel". Chromatic Spark. 06/23/10 http://chromaticspark.com/spotlight/78-pete-ippel.html?lang=en.Ned , Tannenbaum. "Catching Up with Pete Ippel: Artist-Athlete". The Devil's Advocate. 04/25/10 http://www.uhsda.com/2010/sports/da/catching-up-with-pete-ippel-artist-athlete/.Jeanne Millsap. 'Home Is Where The Art is', Morris Daily Herald, January 15 2010, page 8.Weil, Nadine. ‘Dancing in the Key of G’, 944 Magazine, issue 7.10 San Francisco, Oct. 2008, pages 52-54.Groves, Allison K. ‘A home at SF Ballet’, San Francisco Ballet Legacy News, fall 2008, page 3.‘Phi Footnotes’, The Scroll of Phi Delta Theta, fall/winter 2008, page 13.Swanhuyser, Hiya. ‘How High?’, SF Weekly, May 14-20, 2008 http://www.sfweekly.com/2008-05-14/calendar/how-high/.Hunt, Mary Ellen. ‘Room, Board and Barre for Ballet Students’, San Francisco Chronicle, May 13, 2008, cover story, Datebook.Richardson, Daniel. ‘Spatial Representations Activated During Real-time Comprehension of Verbs’, Cognitive Science: A Multidisciplinary Journal, vol. 27, no. 5: pages 767-780. 2003.

Mike Lemos

Visual Arts: Illustration, Other, Painting

Illustrator and graphic designer with over 25 years professional experience and over 15 years experience as a full-time professional freelancer. Specializing in both digital & traditional mediums, character design, with a background working for several industries including toys, apparel and entertainment as well as various other industries over the years.

Susan Lorenzana

Visual Arts: Illustration, Other; Mixed Media Glass Artist

Artists and craftsmen of every kind run in my family, so I grew up surrounded by creativity. Naturally, my parents weren't surprised when I began drawing at an early age. After graduating from high school, my father encouraged me to study Illustration in college. And, thankfully, my husband of nearly 30 years has cheered my artistic journey along every step of the way. Growing up on the California Central Coast near some of the most beautiful beaches, mountains, and countryside in the world, my artistic senses were nurtured. This region is rich in nature, marine life, and wildlife so I would often get lost in thought watching the way light played on the sea, plants cast shadows, and how wildlife appeared and then seemingly disappeared into the environment. My family also includes several musicians, which was highly influential on my creative expression. Frequent references to music genres and instruments manifest in my work. One day, on an unplanned visit to an art glass supply shop in Ventura, CA, I was intrigued and signed up for a stained glass class. It was instantly apparent that I was in my element, and my glass art journey began. Now in my second decade as a working glass artist, I have developed technical knowledge of glass as a medium, finely honed mechanical skills to shape its form/appearance, and infused creative elements to convey storytelling with it.

Galina Richardson

Visual Arts: Illustration, Other, Painting; Fine Art, Watercolor, Charcoal, Pastel, Mixed Media

Galina Richardson was born in Volgograd, Russia and has been drawing and painting ever since she was a young girl. Growing up, she was also interested in languages and she ultimately sought a formal education in the field of linguistics. While working as a technical translator in Surgut, Western Siberia, Galina met her American husband. She soon joined him in Ventura, California and has called this coastal city her home for more than twenty-five years. Galina studied graphic design at UCSB and for many years worked as a graphic designer, creating logos, advertisements, posters and brochures. She went on to work for the FBI in Los Angeles as a language analyst, but her passion for art remained. Mostly self-taught, Galina is a passionate watercolorist. She loves the freedom, spontaneity and delicate nature of the watercolor medium. Capturing people in all their uniqueness has been the main driving force behind Galina’s artwork and her two daughters often provide inspiration for her paintings. Galina frequently exhibits at the Buenaventura and Thousand Oaks Art Associations, where her artwork has received recognition from her peers and the public. She paints plein air, enjoys life figure drawing, attends classes and workshops taught by renowned local and international artists, including Keiko Tanabe, Nick Runge, Cuong Nguyen, Gerald Brummer, Paul Jackson, Jeannie Vodden, and Judy Koenig. Galina is also an avid runner and has recently reached her goal of completing 50 marathons.

Lis Schwitters

Crafts: Ceramics, Jewelry, Other; Literature: Poetry; Media: Video; Visual Arts: Illustration, Other, Photography, Printmaking

BIOGRAPHY Born in Los Angeles, California, Photographic Artist & Printmaker, Lis J. Schwitters began her interest in photography in 1976 and continued as a Staff Photographer for her high school, college, and local community newspapers having published over 2,000 photographs. In 1985, she received her Bachelor of Arts Degree in Photocomunications from California State University at Fullerton where she studied under Professor of Photography Emeritus Darryl Curran and visiting Professor John Szarkowski. While enjoying both photographing (the capture of an image), and printing (the creation of an image), she directed her career towards laboratory work. Schwitters has worked as a Photographic Lab Technician (Printmaker) for such notable institutions as California Institute of Technology/Jet Propulsion Laboratory (NASA/JPL) in Pasadena, Warner Bros. Studios in Burbank, and Paramount Pictures in Hollywood, California. As a photographic artist her prints have been featured in hundreds of exhibitions, including in the Palm Springs Art Museum, the Carnegie Art Museum in Oxnard, and the Center for Photographic Art in Carmel. Her photographic images are in the permanent collection of many museums, including in The Getty Research Institute (GRI), The Los Angeles County Museum of Art, The Museum of Modern Art, The New York Public Library, and The California Museum of Photography, as well as in private collections across the Country. Encompassing all types of photographic mediums from traditional to digital, Schwitters enjoys exploring a wide variety of themes ranging from psychological topics to the beauty of her surroundings. Contact: info@LisJSchwitters.com Resume: http://www.lisjschwitters.com/resume-schwitters.html

Yessíca Torres

Literature: Poetry; Visual Arts: Other, Painting

Yessíca Torres is a Southern California-based gunmonkey with an affinity for pop art and firearms. Widely considered the first guerrilla girl, she has shaped modern society with her high-profile paintings and culturally significant kills. Her life as an assassin began at the age of nine when she dropped out of parochial classes and picked up a revolver. The lucrative kill contracts she carried out allowed her to follow her true passions, painting and poetry .... And so, gunmonkey art was born. www.gunmonkeyart.com

Eric Ward

Visual Arts: Other, Painting, Printmaking, Sculpture

Eric D. Ward Painting, Mixed Media, Sculpture, Installation, Performance M.F.A.: (Studio Art) Claremont Graduate University, Claremont, Ca. (2009) M.A. : (Painting) CSUN, Northridge, Ca. (2001) B.A. : (Art): Westmont College, Santa Barbara, Ca. (1999) ----------------------------------------------------------------------------------------------------- My work tends to be confrontational yet inviting. I focus on the juxtaposition of contradictory ideas, materials, styles, treatments, processes, and textures in order to discover a balance between extremes, and it is this clash that I am most interested in. Part of my inspiration is derived from living all of my life near the Southern California coast; living on the edge where the land meets the sea, where the vastness of the ocean is surrounded by the sensory overload of civilization. By using a wide variety of materials and techniques, I seek to convey these extremes (and the tensions among them), to the viewer. I work with various media, styles, and genres that at times overlap within the same piece and/or series of pieces, resulting in what I would refer to as a hybrid. The synthetic as well as natural materials I use are very important to the work. They include wood, rusted metal, sand, sawdust, glass, cement, dirt, stain, gravel, acrylic, resin, nails, nuts and bolts, a variety of pollen and other organic material, and basically anything that is at my disposal. I am also fond of incorporating found objects and icons from various cultures throughout history into my art, sometimes transforming, mutating, and distorting them so that they no longer exist as they did in their original format. This leapfrogging among various media, materials, and styles is due to the joy and challenges I face when experimenting and exploring the extremes, and is what keeps me charged and motivated to keep pursuing the unknown. Ultimately, I strive to convey the contradiction and clash of the natural and the manufactured, giving new meaning to concepts and objects that may no longer be recognizable in their original format. I attempt to blur the boundaries between art and life, reality and fantasy - to expose and examine the gray area among them. I hope to share these sensations of living on the edge, and the bombardment of sensory overload that often characterizes contemporary life. In the end, my intentions are to raise questions and invite various interpretations while sifting through the quagmire I deal with to get from point A to point B during the journey of life, allowing the viewers to form their own opinions as to the meaning of it all.

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